By Stephen McClatchie
The paintings of the Wagnerian theorist and analyst Alfred Lorenz (1869-1939) has had a profound effect upon either Wagnerian scholarship and track research within the 20th century, and but it hasn't ever been accurately evaluated. examining Wagner's Operas outlines the origins and improvement of the expressive aesthetic in writings by way of Wagner and others, in addition to in early-twentieth-century theories of musical shape, and it considers Lorenz's paintings and contributions during this mild. The ebook additionally hopes to teach, to the level attainable, the place Lorenz's paintings acted as a type of "musical metaphor" for German nationalist ideology throughout the Nazi period.
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Additional info for Analyzing Wagner's Operas: Alfred Lorenz and German Nationalist Ideology (Eastman Studies in Music)
In Mein Leben Wagner claims to have read Die Welt als Wille und Vorstellung four times during the year after it was introduced to him by Georg Herwegh in 1854. 14. See Schopenhauer, World 1: §36, §37 and 2: chap. 31. 15. Schopenhauer, World, 1: 336. < previous page page_31 next page > < previous page page_32 next page > Page 32 same level as that of music. Just as a drama does not portray human characters, but lets them represent themselves directly, so the motives of music give us the character of all the world's appearances according to their innermost essence [An-sich].
One must see things without subjectivity or personal interest, as objects of understanding as opposed to objects of desire. Contemplation of works of art provides momentary escape from the workings of the will. By seeing something as beautiful we are seeing the universal in the particular; we are catching a glimpse of the Platonic Idea of which the object of our contemplation is an instantiation. Although this capacity to recognize the Idea through the contemplation of works of art exists in all men, it does so to the highest degree in genius.
A]Is Wissenschafter eine erfreuliche deutsche Erscheinung, ist er schon früh (Pg. "] 67. Letter of 22 July 1939. BDC Lorenz file. 68 As we have seen, he did not hesitate to exploit his ties to the party in connection with his position at Munich. Lorenz's connection to the National Socialist movement and its precursors stretches back much further than this, however. "71 The Nazi party proper was founded in Munich in April 1920, and Lorenz was a supporter from the very beginning. "72 On his Karteiblatt from Munich University, Lorenz indicated that he had voted for the National Socialists since 1920.
Analyzing Wagner's Operas: Alfred Lorenz and German Nationalist Ideology (Eastman Studies in Music) by Stephen McClatchie